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Show posts MenuQuote...Victor and you produced their debut «Gluey Porch Treatments" – could you please tell me when you met these guys for the first time and what do you remember about your work on the record ?
Well, actually it was Victor who first saw the band...he had some business interests or connections or friends in Seattle area. Victor would go there and I was never really sure what he did up there.. ( laughs ). He was kind of a mysterious person in many ways. So he went up there in...maybe 1985...and saw a couple of Melvins gigs. He came back and was talking about that. He was very impressed with just what they were doing, and how they were deconstructing the punk and rock thing. As Victor was an artist he'd speak in those kind of terms. Art terms and music terms. I understood what he was talking about anyway. I think he had their tape or record...because they'd made something – single or something like that. So he had that and we listened to it together. I thought it could be really interesting to do. Victor said: "Yes, let's do this!" and I liked the way it sounded. I thought we could make a good sounding record. They decided to come down to San Francisco to do that. I think, they sent us a tape with what they wanted to record, and they drove all the way down from Seattle, which is a long way ! They were exhausted and it was interesting to meet them. Actually, the picture – the photograph on the back on "Gluey Porch Treatments" album is a picture that I took of them in my house in San Francisco, probably, about an hour after meeting them. They came to my house and I said: "Stand up against the wall" and I took that photograph of them. They had just driven from Seattle and that's the photograph that's on «Gluey Porch" album.
QuoteIn more recent times, I became friendly with the Melvins. They are big Pussy Galore fans. When Jon and I went to Irving Plaza to see them play, we went back-stage. Dale (Crover) and Buzz (Osborne) cornered us and they were asking Jon all these questions about Pussy Galore. I think that maybe got his head spinning a little bit and that's maybe why he made this new record, which sounds like a combination of Pussy Galore-meets-the-Blues-Explosion.