My old band recorded at Electrical Audio in 2007. We had a great time working with Albini and I found him to be a perfectly nice guy. He knows his craft and his studio is fucking amazing so I'm not surprised he invests most of his time and efforts there, rather than trying to make a living on Shellac alone. That said, I have to air my admiration and respect for bands and artists like The Melvins who have managed to reach a level where they can actually live of their 'art' without yielding to outside influence or control.
I'm kinda gutted those 2 don't get on. I always thought an Electrical Audio version of Ozma would be the greatest thing ever committed to tape.