free online translation:
30 Years had to go to Mike Dillard, drummer and founding member of Melvins (1983), came back to the studio together with Buzz (and Dale Crover in under this time, of course) to record and perpetuate duly its contribution in a long-life, as it should be. If well already had met some time ago to interpret in vivo those old tracks that saw the light through Ipecac in 2005 (Mangled Demos From 83), was this year when Dillard took the drumsticks and came to the study of Toshi Kasai to shape "Three bastards", album which we were able to listen a batch of songs published in the series 1983 edited in vinyl by Amphetamine Reptile Records -sold out in all its versions-.
With the surprise of having a disc with the training closer to the original band, the truth is that the expectations rose, to the height that own many years ago has been generating this monster of the rock called Melvins.
Three cabrones pays honor and glory on a piecework basis for its members through art and the title of the disc, because it gives musically the sincere attitude and uninhibited of these experts - and if we can give a "correct" use of the word - a product asshole that shines by its solidity and variety in perfect step, without getting into any of the currents that yesterday or today might be marking pattern. Melvins in its pure state, without mutations or experimentation is heard in the powerful riffs that saca Osborne in the sticky City Dump. Perfect performance in low by Crover, and Dillard in battery, fairways with ex officio this new alignment with what they do best, rock. Psychodelic Haze is a perfect sample of the formula of the trio, a mace and dense front, without like being a virtuoso or abuse of any kind.
Strolling as scapegoats in the fast-paced rocks of the empire of the rocky that are owners, these geniuses of simplicity venturing into several slopes, such as the electronic distortion by means of I told you I was crazy, taunt with the black humor of Tie My Pecker…and you're in the Army now, perhaps taxed at the grunge phenomenon which were pioneers with precise arrangements in guitars electroacusitcas of Dogs and cattle prods, or why not to mention the punk with the passages that give closure to the work in the last 2 cuts.
Ultimately, a piece of three-quarters of an hour that is conspicuous by the authenticity and seal that Melvins has shown throughout his long career underground. There is no need to generate sudden changes to refresh constantly with your music… Crover and Osborne are aware of this. Today we enjoyed the inexhaustible resource of the rock in trio format, which for our pleasure comes given with primitive alignment. A 10/10 for the bastards.
