Didn't you guys get the memo from Pitchfork?
Once again keeping their trend of rating every Melvins related release below a 7.
My favorite lines of the review...
"What lies behind Osborne’s sudden urge to make and a folk record?"
and
"Osborne deserves a lot of credit for keeping the album a truly acoustic affair—but, eventually, the skeletal sameness becomes more numbing than a million Melvins riffs stacked end on end."
Hmmm....a million Melvins riffs stacked end on end sounds like a brilliant idea
